Free PDF John Shaw's Guide to Digital Nature Photography, by John Shaw
Free PDF John Shaw's Guide to Digital Nature Photography, by John Shaw
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John Shaw's Guide to Digital Nature Photography, by John Shaw
Free PDF John Shaw's Guide to Digital Nature Photography, by John Shaw
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About the Author
JOHN SHAW is the author of many enduring bestsellers, including seven previous books on nature photography. His work is frequently featured in National Geographic, Nature’s Best, National Wildlife, Outdoor Photographer, Natural History, Sierra, and Audubon magazines, as well as in calendars, books, and advertisements. He has photographed on every continent, from the Arctic to the Antarctic, and leads sold-out workshops around the globe. Visit him at johnshawphoto.com.
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Excerpt. © Reprinted by permission. All rights reserved.
What Is There to Photograph? Each year, I travel the globe to take pictures, often leading photo tours or workshops. The people in these groups are specifically interested in photographing the natural world, yet it’s on these trips that I inevitably hear the question “What is there to photograph?” Truly this is the wrong question to ask; it leads photographers to take pictures that are empty of emotional content. Without passionate involvement, our pictures are nothing more than records. The question we should be asking is “What is there to discover?” Only after we have let our minds and eyes deal intimately with the abundance of natural marvels around us should we attempt to photograph them. Photography should be both a process of discovery and a procedure for recording that discovery. In the process of photography, we order the chaos around us by making decisions. We decide to emphasize one aspect of the world—what we have discovered—and ignore all others. We want to represent that subject in a way that conveys how it has emotionally involved us. To do this, we must make conscious decisions about what to include within the photographic frame and how to organize the content. At this point, the procedure of photography enters. Now we must make technical choices involving the mechanics of photography: lenses, light, and exposure. The photographic process should be deliberate and studied. Structuring our visual environment is the role of composition, but that structure doesn’t just appear from nowhere. Nor is the procedure of choosing lenses and setting exposure values automatic. We must become adept in dealing with both the aesthetics and the mechanics of photography; otherwise, our results will be failures. Photography’s dual nature has always fascinated me. In a good photograph, both aspects work in tandem, neither overwhelming the other. Form and content go hand in hand to produce a synthesis, an interesting work that engages both the viewer’s mind and emotions. To achieve this synthesis, you, the photographer, must play two simultaneous roles as well. On one hand, you must be a poet and an artist, opening yourself to the intuitive and mystical world of your inner vision. On the other hand, you must be a technician, rationally dealing with shutter speeds, f-stops, and focal lengths. Vision without craftsmanship is as much a failure as craftsmanship without vision. We’ve all seen photos that are intensely personal and emotional yet lack any technical competence. We dismiss these as lacking organization and think the creator cannot control the medium. We’ve all also seen photos that are technically superb but have no soul. These are aesthetically insipid, dull, and uninspiring works. Most people have more difficulty with the technical aspect. We all see images in our mind’s eye . . . but how to record these? We take an interesting trip, but the resulting pictures seem to have little relationship with our experiences. Why? I’m convinced that the main factor is that most of us are only occasional photographers; consequently, we’re always starting over in the learning process. A solution many people adopt is to buy a fancy camera and then set it in autofocus/autoexposure/auto-everything mode so that they don’t have to think about what the camera is doing. However, this means that they have abdicated their photographic responsibilities; they have become camera carriers, not photographers. They are allowing a machine to make decisions for them, without learning how to control the machine. I’m always amazed by people who say that cameras are too complex for them to learn to operate. I’ve seen people who otherwise are extremely competent become helpless when dealing with f-stop numbers or using a tripod. Yet these same people are doctors, lawyers, teachers, and computer programmers—people who make complex decisions every day. A camera is only a machine and no more a technical mystery than any other machine. If you can drive a car, ride a bicycle, or use a cell phone, you can operate a camera (and not just the one in your smartphone!). Mastering the technical nature of photography frees you to concentrate on the aesthetic side; that’s why I emphasize technique so much. If you’re fumbling around with lenses and tripods, your inner vision will soon evaporate. You want to reach the point where technical mastery is second nature, where you can concentrate on the image instead of having to focus on the procedure. Control of both sides of photography, the technical and the aesthetic, is needed so that you can produce the best images possible.
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Product details
Paperback: 240 pages
Publisher: Amphoto Books (March 17, 2015)
Language: English
ISBN-10: 9780770434984
ISBN-13: 978-0770434984
ASIN: 0770434983
Product Dimensions:
7.8 x 0.7 x 9.7 inches
Shipping Weight: 3.8 pounds (View shipping rates and policies)
Average Customer Review:
4.4 out of 5 stars
84 customer reviews
Amazon Best Sellers Rank:
#109,471 in Books (See Top 100 in Books)
I was excited to have the opportunity to read and review this guide. I'm a self-taught photographer and my favorite genre is nature/wildlife photography, so I figured this book would be helpful. I wasn't disappointed.I agree with some of what the previous reviewers have said. The most obvious to me was that the typeface could have been a bit bigger. Maybe the publisher was trying to squeeze in as much information as possible, which is understandable. John Shaw has been sharing his well-respected photography works and advice for over forty years - that's a lot of information.I love that Mr. Shaw doesn't encourage readers to run out and spend tons of money on photography equipment. The concept of "the camera you have with you is the one you should use" is honest and forthcoming. I'm always surprised at the quality photos my older model Nikon produces. The accompanying photos in this guide are certainly breathtaking.Mr. Shaw shares a great deal of practical photography advice. However, if you are a true beginner, you might want to start with a more basic guide. My advice would be to check out a companion manual for your camera. Most of these include some very basic, yet very helpful information that's specific to your individual camera.I would definitely recommend this book for anyone interested in building upon their current photography skills. The guide is reasonably priced and the photos alone are well worth the cost.eBook Review Gal received a complimentary copy of this book from the publisher in exchange for an honest review.
In the 1980's I read several of Mr. Shaw's books. His explanation then of f-stops, shutter speed, ISO, flash and other factors in photography for making his photographs so great. His approach is very clear and while it is up to readers to make their own photographs, learning his techniques and the science behind them gives readers an excellent foundation in digital photography. His descriptions of how to think in terms of stops is still valid and greatly simplifies the process for shooting in manual modes. His explanation of the use of histograms and the use of flash along with all the many pieces of equipment he finds useful in his work are generously shared with those of us who admire great photographs. Thanks, Mr. Shaw, for yet another masterpiece in your work! I appreciate you!
I feel John Shaw is a great teacher . He has a way of communicating through writing as if you are having a conservation with him and he already knows what your next question will be . In his writing about technical things he goes into detail and doesn't leave you guessing about what to do with the information he has just given . His earlier books got me on the path to photography and I still have them . I referred to them regularly until things had really sunk in . The pictures inspired me and the writing instructed me . Of all the photography books I have purchased , I still have these but have donated most of the other writer's works .. At this point you might be asking why a four star writing ?! This is a good book but not Shaw's best . I am comparing it to his earlier writings . There is too much general repeat of his earlier writings that are dealing in the film era and still deal with the photographic process , but have been covered great in his earlier books . This one let me down in that he didn't cover the later advantages of digital and how to use those in the field . This could have been done and would stay relevant into the future as long as digital stays with us .
I've been following John Shaw for over 30 years now. His work is always amazing and inspiring. I can't imagine anyone more talented than John Shaw when thinking of nature photography . I feel I'm a rank amateur but after I read John's books and get a little of his inspiration , I go out and shoot and feel good about myself . If you really serious about learning how to shoot and compose images, as well as how to use the Nikon cameras , then you need a book like this. His advice extends to other mix of cameras as well . I'm happy to be able to recommend this book highly .Mike , D. Charlottesville, Virginia
This long-anticipated update to John's venerable John Shaw's Nature Photography Field Guide (written in the film days) doesn't disappoint. It is completely rewritten with all new digital photos. His style is thorough, yet conversational. Advanced photographers will benefit from his concise explanations of both photographic and digital fundamentals. Novice to intermediate nature photographers would do well to study this book until they can subconsciously apply the fundamentals John explains so well. I highly recommend this book to every photo workshop or class I teach. Kindle version looks great on the iPad. The images are larger and look great in the print version. Either version is great.
John Shaw is the "dean" of nature photographers, and this book is a must have for your photography book collection. Even if you are not a nature photographer, you will learn how to shoot the modern DSLRs from reading this book. His text is always so clear, and easily understandable, and I do not understand why other photography book authors cannot explain as simply and clearly as John does. Highly recommended!
I really like John Shaw's perspective and clear and well-written book. He manages to cover essentially everything you need to know about gear and technique while also emphasizing the creative elements of photography. His writing style is also fun to read and the example images are exquisite treats that made me want to turn the page to see what's next. Highly recommended!
Good book for beginners. I think I might be a little bit too advanced for it, I didn't realize it's going through basic principles of digital photography in general. However, it's no fault of the book, and info in it is great. I did pick up quite a few good tips from it too. Some of the points might not apply fully for mirrorless camera users. Photos in the book are great.
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